[Church of Bob] [Church History] [The
Liturgical Year] [Liturgy] [Scriptures] [Bobism]
[Robbis]
Catalogue of Saints
An important aspect of bobism is the celebration of saints.
It is not believed that this will lead to salvation, but it
may enrich one's life, which is in accordance with Bobology.
The saints are too numerous to list comprehensively here, but
the most important are:
- Jerry Garcia - the holy ghost (according to the trinity
The Father, The Son and The Holy Ghost: Bob, Jakob and Jerry
Garcia. The somewhat contradictory assignation of both Bob
and Jakob as the Son, must be explained as a religious
mystery, which is what makes this a religious cult anyway,
and not just a list of biographical data.)
- Clinton Heylin - St Luke (comprehensive, has also written
about the Acts, day to day, and in studio)
- Paul Williams - St Paul (the true founder of
Bobism. Williams is not either an ordinary evangelist, but
rather an epistle-apostle, with his important epistles
Performing Artist, Watching the River Flow, What
Happened? etc.)
- Anthony Scaduto - St Matthew (relies heavily on
scriptures, interviews etc.)
- Robert Shelton - St John the Evangelist (the
disciple with the most personal relation with Him)
- Bob Spitz - St Mark (action)
- The Prophets are collectively represented by the old
Delta Blues singers
- Woody Guthrie - St John the Baptist (The voice in the
wilderness (i.e. the Dust Bowl) preparing the way for the
Master).
- Joan Baez - Mary the Magdalene
- Sara - St Mary (another mystery: she was neither His
mother nor a Virgin (i assume, since she already had a
child), but her role as the most important female saint is
undisputed).
- Jakob Dylan - The Son
- John Lennon - St John (some may argue that St John is
already represented by Robert Shelton. That's however another
example of the misunderstanding of the previous cult - St
John the Evangelist can impossibly be the same person as the
St John the Apostle: consider the confusion that would have
arisen if John had been called, e.g., George instead.
Interestingly enough (but hardly surprising) Dylan is aware
of this, since he refers specifically to "St John the
Evangelist" and not just "St John" in Abandoned Love
(the heretical view that this should have been dictated by
the rhyme, is of course complete nonsense - it is hardly more
difficult to rhyme with "John" ("moving on",
"subtraction", "pantechnicon", "veneer",
just to mention a few) than with "Evangelist").